Женщина с куклой Аннабель в тёмной викторианской комнате

A live-action gothic portrait photograph of a woman holding Annabelle in a nearly dark Victorian room at night. Preserve the woman’s facial identity, exact facial proportions, recognizable features and natural asymmetry. One real woman and one physical movie-prop doll. ANNABELLE’S EYES — VISIBLE INTERNAL GLOW: Both of Annabelle’s glass eyes visibly emit crimson-red light from inside the irises. Each illuminated red iris surrounds a distinct dark pupil. The eyes are clearly self-luminous, with a soft, concentrated glow visible when viewing the complete portrait. Use moderate brightness: luminous red glass with retained surface reflections and iris detail. A small, soft red halo touches the edges of the glass and the inner eyelids, making the light emission unmistakable. This is emitted light, not red paint or reflected candlelight. Keep the glow localized around the eyes, without brightly illuminating the cheeks. No white-hot centers, orange cores or large neon flares. Candle flames remain the brightest highlights, while both red eyes remain distinctly luminous against the doll’s shadowed face. Darkening the room must not reduce or remove the doll’s internal eye illumination. The woman’s eyes remain natural and do not glow. LIGHTING AND EXPOSURE: A genuinely dark interior with localized candlelight and almost no ambient illumination. Darkness occupies most of the image. Only the woman, parts of the doll and a few surfaces immediately beside the candles receive light. A candle just outside the frame at front-left provides the main illumination. Its warm light gently reaches the woman’s face and falls off rapidly across her body. One side of her face is softly illuminated; the opposite side remains in deep natural shadow. Minimal reflected light preserves her facial shape without filling every shadow. Her expression is neutral and readable within this limited pool of light. No horizontal stripe or isolated band of light across her eyes. No broad frontal illumination, studio fill, overhead lighting or bright rim light. The background is approximately four stops darker than the illuminated side of her face. Keep the room underexposed. Do not brighten the image to reveal the furniture, curtains or toys. Large areas remain nearly black. Background objects are suggested by silhouettes and occasional faint edges rather than fully illuminated surfaces. The visible candles have small flames and illuminate only their immediate surroundings. Their light does not fill the room. Narrow amber reflections appear on nearby brass and wood, fading quickly into darkness. No large glowing clouds around the flames. The window provides absolutely no light. Outside is black nighttime darkness, without moonlight, streetlights, blue sky or twilight. The curtain remains in shadow and does not glow. No haze, fog or visible light beams that brighten the room. Expose for the woman’s illuminated cheek and the small candle flames, allowing the surrounding room to remain dark. No HDR, shadow lifting, automatic exposure compensation or uniformly readable background. CAMERA AND FRAMING: Vertical 2:3 composition. Tight seated portrait from just above the hair to the lap and partially cropped upper legs. Camera nearly frontal, slightly above seated eye level, gently angled downward. Natural 50mm perspective. The woman fills most of the center-left, her face prominent in the upper half. Annabelle occupies the lower-right portion. Minimal headroom. The chair, foreground table and lower skirt are cropped by the frame edges…